I’m interested in suggesting a new hierarchy by subverting the status of things. By changing the size of microorganisms which are seemed to be the smallest substance, I want this subversion to reaffirm our relationship with materials.
This piece is part of a series about lesbian relationships and how many people automatically sexualize them or treat them as something for their own pleasure. The series consists of obscured, nude portraits of me and my partner engaging in acts of…
This work is thematically similar to "Lucid Landscape I". The reason for the subject matter in this comes from the vague similarities and differences western mesas have. Each, like a mountain, is visually define-able and can be grouped together has…
I had recently inherited a bunch of books and magazines from my grandparent. Many of which were issues of "Country Beautiful", a magazine was dedicated landscape photography. Many of these images don't even seem to exist on a database or website…
This painting was the result of thinking about- what is home? After leaving, returning, and thinking about what “home” is to me, I became fascinated with how home transcends an actual place. We can return home through memory and revisit its comfort…
PredvPrey was my reaction to fears surrounding the unknowns of COVID-19 with the simultaneous Fall 2020 decision by many states to send public schools back full-time with little precaution. Through my parents and close friends being public school…
Here I’ve taken Clotho, the Greek mythological “spinner” sister of the three Fates, and have transformed her into a selfish metaphor expressing my personal qualms with identity surrounding femininity and place in my surrounding world as a…
Atropos, the Greek mythological sister of Fate also referred to as the “unturnable”, cuts the thread which Clotho spins and Lachesis allots. This cut signifies the fate of our death (which, funnily enough, I feel is the only certainty that kind of…