1 10 1 https://exhibits.lib.ku.edu/files/original/efdc39d81be2906c4f51f35919d7746a.jpg 8d59084fdc41723b383b7c8ce28701e1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 595 Height 599 Bit Depth 8 Channels 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nobel Laureates In Literature Around The Globe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource KAWABATA, Yasunari 川端康成 Subject The topic of the resource about KAWABATA, Yasunari 川端康成 Description An account of the resource Kawabata Yasunari (1899-1972) is the first Japanese to be awarded the Nobel Prize in Literature. Kawabata made a debut in 1927 with his short story Izu no odoriko (Izu Dancer), which became one of his representative works in his earlier career. With his novel Yukiguni (Snow Country) of 1937, he distinguished himself as one of the representative novelists of the time. Kawabata lost all of his family members in early childhood. His experiences of loss and orphanhood thus underpinned his writing, but the elegiac tone in his works seems to be linked to the sense of “mono no aware,” Japanese aesthetic ideal which he wanted to pursue in his writings. On Dec. 12, 1968, Kawabata addressed his Nobel Prize Memorial Lecture in montsuki hakama, the Japanese formal attire. He delivered his lecture, titled “Utsukushii Nihon no watakushi (Japan, the Beautiful and Myself),” in Japanese (simultaneously translated by Edward G. Seidensticker). While referring to Zen philosophy, poems and Heian literature, such as Genji monogatari (The Tale of Genji), which he regarded as “a wide and deep source of nourishment” for Japanese artistic expressions, Kawabata explained the delicate sensitivity of the Japanese, which found ephemeral beauty in the myriad manifestations of nature, such as the snow, moon, the blossoms, the mountains, and the rivers. Kawabata’s esoteric lecture flows so smoothly like a stream of water---beautiful, yet somewhat vague and unfocused. But in this lecture, in front of the audience in Stockholm, unfamiliar to the Japanese tradition, culture or literature, he showed his mettle to describe the spiritual foundation of the Japanese mind and uniqueness of the Japanese culture as something essentially different from the Western counterparts. Source A related resource from which the described resource is derived http://guides.lib.ku.edu/content.php?pid=59061&sid=4360752 Date A point or period of time associated with an event in the lifecycle of the resource 1968 first Japanese to be awarded the Nobel Prize in Literature montsuki hakama Nobel