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                <text>New Growth</text>
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                <text>LibArt 2025</text>
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                <text>I have always had a connection with dandelions since I was little. They became my symbol of hope and resilience as I struggled to thrive throughout adolescence. Creating symbolic pieces such as this one became a practice in manifestation for me. Once I knew that I would be living in the scholarship hall, Sellards, I knew that I had to create a piece to manifest growth, resilience, and abundance in this time of significant change. The dandelion has one full bloom for the hope of me growing into myself in college, and two smaller buds to symbolize future growth. The trees, windows, and brick in the background are the distinctive characteristics of Sellards.</text>
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                <text>Lolly Hindman&#13;
Sociology &amp; Economics major</text>
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                <text>2025</text>
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                <text>Linoleum print&#13;
12" X 9"</text>
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                <text>Jaime</text>
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                <text>This is a large scale portrait of my best friend highlighting the many aspects of her I find most beautiful.</text>
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                <text>Sam Hale&#13;
Art History major</text>
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                <text>Oil on panel&#13;
36" X 36"</text>
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                <text>Monster</text>
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                <text>“Monster” directly references the dehumanizing language used against trans people. With this print, I wanted to show that the so-called “monster” from the news was once a happy kid too. By depicting myself smiling, I aim to challenge the notion that being trans is a terrible affliction, we’re not monsters, just people.</text>
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                <text>Sam Hale&#13;
Art History major</text>
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                <text>Hard ground etching&#13;
10.5" X 16"</text>
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                <text>“Venus” references the Venus Pudica pose from classical and baroque art, historically used to convey modesty and desire while highlighting the female form. I have adapted this pose to examine top surgery scars, presenting the trans body in a positive light by drawing a parallel to a classical goddess, especially one of love, to challenge the stigma that trans people inherently hate their bodies.</text>
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                <text>Sam Hale&#13;
Art History major</text>
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                <text>2025</text>
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                <text>Drypoint etching&#13;
8" X 10"</text>
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                <text>This oil gilded egg tempera painting features the popular pro-wrestler of the 80s and 90s, The Ultimate Warrior. What drew me to this character and subject matter was his anatomy, costume, and electric stage presence. One of the things I find most interesting about the phenomenon of pro-wrestling is the combination of hyper-masculinity and flamboyance, and I thought the bulging muscles next to the flying tassels truly embodied that. The gilding reinforces this idea as well, using a bit of sparkle to evoke the glitz and glamour of the WWF. I also found the contrast between an old, classical material and a very modern subject matter compelling. It's interesting to consider what some of the old masters would have thought of this artwork, or even the concept of pro-wrestling.</text>
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                <text>Jessica Grubenhoff&#13;
Visual Art Education major</text>
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                <text>Egg Tempura on panel&#13;
8" X 10"</text>
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                <text>Vertex was created using Silverpoint, a Renaissance-era technique in which artists like da Vinci or Dürer would use metal to draw. The surface has been treated with a "ground" that contains both an orange pigment and bone-ash, which serves to create a rough surface capable of catching particles of metal as the drawing implement is drawn across it.</text>
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                <text>Jessica Grubenhoff&#13;
Visual Art Education major</text>
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                <text>Silverpoint&#13;
15" X 11"</text>
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                <text>This work was created while I was studying abroad in Florence, and was drawn with ink I made myself as I studied renaissance drawing and painting techniques. It depicts a section of my trinket shelf, something I have curated over time which hangs next to my bed. While I was drawing it, I was both extremely grateful for the chance to study in a place as incredible as Florence, while also feeling a powerful longing for home.</text>
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                <text>Jessica Grubenhoff&#13;
Visual Art Education major</text>
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                <text>2025</text>
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                <text>Ink on paper&#13;
15" X 11"</text>
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                <text>LibArt 2025</text>
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                <text>Jessica Grubenhoff&#13;
Visual Art Education major</text>
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                <text>2025</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Belong to Creator</text>
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                <text>Pen and Ink with washes, mounted on wooden panel&#13;
4.5" X 4.5"</text>
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                <text>Procne et Philomela</text>
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                <text>Ovid's tale of Procne and Philomela explores love and revenge as it portrays the lengths a woman would go for her sister. As a woman with two sisters, I could deeply relate to Procne’s protective nature over Philomela. I was amazed that I could resonate with a piece of literature so intensely, especially one written thousands of years ago. Knowing that an ancient text could transcend time and that a modern reader could relate to it made me realize the importance of literature in understanding human nature.</text>
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                <text>Lily Godsil&#13;
Classical Languages major</text>
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            <name>Date</name>
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                <text>2025</text>
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            <name>Rights</name>
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                <text>Digital&#13;
15" X 20"</text>
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            <description>A name given to the resource</description>
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                <text>Chairs in Front of St. Peter's Basilica</text>
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                <text>LibArt 2025</text>
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                <text>As I stood in front of one of the world's oldest and most impressive architectural feats of spiritual devotion, I strangely found myself equally fascinated by the rows of modern mass-produced chairs scattered in front of the Pope's empty pavilion.</text>
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                <text>Nathan Gibson&#13;
Mechanical Engineering major</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2025</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Belong to Creator</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photography&#13;
12" X 16"</text>
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