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                <text>My brother and I wanted to finger paint together, because we used to all the time when we were younger. This is a portrait of my friend's cat. I made it on the floor.</text>
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                <text>Zander Semrau&#13;
Visual Art major</text>
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12" X 18"</text>
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                <text>This piece was inspired by my love for the show "The Midnight Gospel".</text>
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                <text>Zander Semrau&#13;
Visual Art major</text>
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                <text>In American Angus Behavior, I sought to demonstrate the personality that livestock hold. I wanted to showcase how cows interact with each other, and the romanticization of owning livestock. This image was a part of a series of images that focused on the intersection and romanticization of enjoying the American countryside. I feel as though many people look past the beauty and attractiveness of raising animals. Nature's raw natural beauty should be celebrated and captured, especially when it is such a huge part of our daily lives. America is built on livestock and farming industries. In my work, I aim to inspire a greater appreciation for the deep-rooted connection between humans, animals, and the land.</text>
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                <text>Lily Scheel</text>
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30" X 20"</text>
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                <text>Manabi</text>
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                <text>This image was taken on, A Journey to Ecuador: University of Kansas and University of Vermont. This special photo captures the spirit of the 2024 spring break student-led trip where I led a multi-disciplinary group of students to Los Arboleros Farm in the Manabí providence of Ecuador. This trip, partnered with Regeneration Field Institute, studied the agricultural model of agroforestry to support regenerative farming practices and the restoration of critically endangered rainforests in Ecuador. Our trip dove into the management of crop-producing forest systems, bamboo engineering, and social entrepreneurship through circular agriculture economies. In one of our many tours through protected restored forests, a butterfly landed atop the dense forest floor of shrubs, grasses, and vines. The transformation of a depleted landscape and the resiliency of the community to build shared environmental equity amongst rising climate crises characterizes this snapshot of beautiful Manabí.</text>
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                <text>Emme Schatz&#13;
Architecture major</text>
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24" X 16"</text>
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                <text>The Rise</text>
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                <text>There once lived a being who, in the desperate and unsuccessful search of light outside, found itself taking its final breaths, tired and fragile, withered and frail. While walking it's final steps down in the darkness into the dead-end path, with nowhere left to go, it decided to pause just for a single moment, out of sheer desperation to save itself. In that stillness it turned and looked within….and this is the image it witnessed. The magnificent grace. Wings which can fly, let go and leave. The fragment of the sun itself, the ever-giving source of life. The flame. The Light! In that moment, it decided to Rise, from the darkness, to finally breath, to fly and to be the light it was always meant to be.</text>
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                <text>Nadhini  Sachithanandham&#13;
Social Work major&#13;
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                <text>2025</text>
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                <text>Acrylic paint on canvas&#13;
9" X 12"</text>
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                <text>Velma Jean</text>
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                <text>LibArt 2025</text>
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                <text>This piece was heavily inspired by Brad Sneed’s illustrations in “The Bravest of Us All” by Marsha Diane Arnold, a book I loved when I was a child. The etching was made using 0.5mm and 0.7mm ballpoint pens onto matteboard, which was then sealed and used as a print matrix.</text>
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                <text>Maya Alessandra Sabatini&#13;
Visual Art Education major</text>
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                <text>2025</text>
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15" X 11"</text>
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                <text>Nine Trash Visions (American Midwest)</text>
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            <description>An account of the resource</description>
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                <text>This piece is a response to the continued popularity of film movements such as lomography, which prioritize the particular quirks of lower budget film cameras in order to achieve lo-fi, experimental, and/or unexpected results. Often, these photographers are encouraged to purchase low quality cameras, many of which are manufactured new specifically for this purpose. I was uncomfortable with the notion that one needs to buy something new in order to achieve a particular effect, especially when it is not a matter of photo quality itself, but rather, done to obtain a surprising result (not to mention the associated costs and environmental impact of purchasing and developing film).</text>
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                <text>Nile Russo&#13;
English major</text>
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                <text>2025</text>
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22" X 16"</text>
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                <text>Eternity's Loneliness</text>
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            <description>The topic of the resource</description>
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                <text>LibArt 2025</text>
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                <text>The lone survivor of a wintered world. Unicorns are symbols of healing and often depicted as undying. One can imagine the silent winters get lonely.</text>
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                <text>Brooklyn Rupp&#13;
Animation major</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Belong to Creator</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital illustration&#13;
8" X 8"</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Abstraction</text>
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            <description>The topic of the resource</description>
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                <text>LibArt 2025</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>It hurts to panic, it feels as though your chest is pulling you apart, distorting and contorting you in a way no one can visibly see. This is a piece attempting to visualize the invisible abstraction of a panicked individual, and how somehow nothing feels more real than a moment in turmoil.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Brooklyn Rupp&#13;
Animation major</text>
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                <text>2025</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="137232">
                <text>Belong to Creator</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Mixed media&#13;
19" X 23"</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Pitch Angel</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>LibArt 2025</text>
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            <description>An account of the resource</description>
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                <text>Many ancient and historical masks were made to honor deities and concepts, this is a mask created to honor the silent importance of rot. Often condemned for what it takes, it is hardly given credit for what it gives. Without rot, nothing can be new. The mask is made to look like rotting, twisted branches and bark surrounded by the wings of black birds (often associated with death.) The entire array is inspired by biblical imagery of angels, specifically the Angel of Death.</text>
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            <name>Creator</name>
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                <text>Brooklyn Rupp&#13;
Animation major</text>
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                <text>2025</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Belong to Creator</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Mixed media sculpture&#13;
13" X 23" X 3"</text>
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