52 10 9664 https://exhibits.lib.ku.edu/files/original/1f5f00d3ae6832e453edce7eb32205c8.jpg 72222dc09fbf5cc3b1132f5d8acc2dc4 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summertime Subject The topic of the resource LibArt 2025 Description An account of the resource As the school year dawned on me, I found myself missing the feeling of summer. I missed the brightness of the sun, the feeling of the pool's water against my skin, and the pure joy felt by the lack of responsibilities. This work was made to push my skills as an illustrator, as well as to offer myself a way to wind down before the fall semester. I poured the last bit of summer in me into this piece, so I could be ready for a new chapter. Creator An entity primarily responsible for making the resource Emmie Mills Illustration & Animation major Date A point or period of time associated with an event in the lifecycle of the resource 2025 Rights Information about rights held in and over the resource Belong to Creator Format The file format, physical medium, or dimensions of the resource Drawing, digital rendering/painting 12.8" X 15.5" https://exhibits.lib.ku.edu/files/original/4e590ec8e788c12f405c9e249f7c94b0.jpg 2c72e7e279e689fe8f39a1541afa96cf Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Swimmer Subject The topic of the resource LibArt 2025 Description An account of the resource I decided to remake J.C. Leyendecker’s piece, “The Football Player,” in a way that empowers and comments on the conflict of transgender athletes. In particular, I chose to represent Lia Thomas, who is the first openly transgender person to win a NCAA championship. Lia has been swimming since she was little but had the ability to swim competitively taken away from her due to new policies that target trans athletes. Lia now uses her voice to advocate for trans youth and letting them be more involved rather than discriminated against. Creator An entity primarily responsible for making the resource Emmie Mills Illustration & Animation major Date A point or period of time associated with an event in the lifecycle of the resource 2025 Rights Information about rights held in and over the resource Belong to Creator Format The file format, physical medium, or dimensions of the resource Drawing, digital rendering/painting 10" X 8" https://exhibits.lib.ku.edu/files/original/30cc4304c093c0f91e2f91c3b9a74be9.pdf ea627112d6166c77e63c361e3e2120f4 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Onitsha Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In our time Creator An entity primarily responsible for making the resource Eneanya, Nonye Type The nature or genre of the resource Onitsha market literature Publisher An entity responsible for making the resource available Onitsha, Nigeria : University Publishing Co. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Language A language of the resource English Subject The topic of the resource Nigerian literature (English) Identifier An unambiguous reference to the resource within a given context ksrl.b10475 Description An account of the resource This play is unique in the Onitsha collection for several important reasons.It was written just after the Biafran War, described by the playwright as "the shooting war," (pg.2). Additionally, it has a definite production history. It was performed for two short runs in Onitsha and Enugu where Nonye Eneanya and Mrs. Ngozi Egwuatu are identified as the producers. It was presumably performed for and/or by Onitsha's Anglican Girls' Grammar School that was destroyed in the war. There is also clear indication as to how the set at one of the performances appeared, for as the introduction notes "the classroom scene where some of the pupils sit on cement blocks and use their knees for a desk recreates a clear picture of the plight of pupils in damaged educational institutions," (pg.2). Nonye Eneanya, a member of the teaching staff at the Anglican Girls' Grammar School, uses the conventions of realism to attempt to document the war and its aftermath on the area. The play's language is a mixture of English and Igbo,and many high quality woodcuts and illustrations enhance the story. However,the play does have significant problems, possibly because it was written "on the spur of the moment" by Eneanya, (pg.1). Time and a sense of causation are underdeveloped at times. Yet In Our Time relates a strong message about the effects of the war when stage directions and set descriptions create a sense of place and time. The prologue provides much of the context of the Biafran war and its aftermath. The narrator creates an atmosphere of hopelessness and optimism: Brother had plucked yet another brother in the course of a fratricidal conflict that had been raging for nearly three years, (pg.5). For an observer of the Nigerian civil war the picture was still real as at January 1, 1970. He therefore believed that the Nigerian conflict would never end...But it did end, miraculously too . . . the soldiers threw away their guns to rush into their opponents [sic] arms in warm embrace, (pg.6-7). This play appears to be very much influenced by these bipolar impulses. The Dimgba family has suffered greatly from the war. They were a well-to-do family that lost their livelihoods during the war and moved away from Lagos. Their children are unable to attend school throughout the war and the schools in the area are destroyed. The play opens with the announcement that the schools are reopening and no fees will be charged. However, this is a promise that cannot be kept and the children are eventually kicked out of their classes because they cannot pay the school fees. The husband, unable to cope with the shame and his inability to provide for his children, reacts violently. The wife provides solutions and demands respect for her daughters and herself. She will not let her husband marry them off and get drunk from the money received from their future husbands' families. In its use of realistic conventions, this play calls for respect for women and their contributions to the family. For example, Mrs.Dimgba confronts Mr. Dimgba and retorts: "You scold and howl at me like an outcast. Why should you shout on me? I'm neither your housemaid nor you slave, mark you," (pg.16). However, the two scenes that are the most realistic do very little to actually move the story forward. In the first, Mrs. Dimgba visits money lenders to secure school fees. Two of the lenders are hostile towards her, presumably because of their positions during the war. A relief organization is mentioned as well as an amnesty act. However the scene does not develop this conflict or make it an important part of creating a sense of reconciliation between the two sides. The scene in the classroom emphasizes the devastation to the schools and the poverty of the students and teachers. One of the science teachers has a blackboard image of a chemistry experiment that she is teaching the class. It is apparent that she does not have any of the equipment for the students to actually do the experiment, and consequently the students are unable to learn the concepts of this experiment. This scene does not have any of the Dimgba children in class. So there is no sense of consequence, causation or development that could lead to the play's overly hopefully ending. The play ends on an impossibly optimistic note as all of the children excel in school and receive scholarships while Mr. Dimgba gets his job back. Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. <a href="http://rightsstatements.org/vocab/InC-RUU/1.0/">http://rightsstatements.org/vocab/InC-RUU/1.0/</a> https://exhibits.lib.ku.edu/files/original/f19a5c6ba6ca4d786eaccf97d43d85dc.jpg ea55f0214ca1fdeb620e341b50edce2e https://exhibits.lib.ku.edu/files/original/2817014f45887295159e231deadc4689.jpg b64cc493185a8ac9129b475c41e06e86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Travel, Tourism, and Transmission of Knowledge in and around Japan Description An account of the resource These are items for the Fall 2025 "Travel, Tourism, and Transmission of Knowledge in and around Japan" exhibit Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Histoire naturelle, civile, et ecclesiastique de l’empire du Japon (The Natural, Civil, and Ecclesiastical History of the Empire of Japan) Creator An entity primarily responsible for making the resource Engelbert Kaempfer et al. Publisher An entity responsible for making the resource available The Hague, Netherlands: Chez P. Grosse, & J. Neaulme Date A point or period of time associated with an event in the lifecycle of the resource 1732 Identifier An unambiguous reference to the resource within a given context <a href="https://kuprimo.hosted.exlibrisgroup.com/permalink/f/137gs05/KU_VOYAGER3830607">Ellis Omnia B367</a> https://exhibits.lib.ku.edu/files/original/6a2505c17615e58ceaca69f5ae7e02e0.jpg 1f026b18edb1efe729af5f5c09fbb946 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Manuscript on parchment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grant to Roland Babington of the manor of Normanton Description An account of the resource Westminster, England, 22 November 1544. On parchment with Great Seal. Creator An entity primarily responsible for making the resource England and Wales. Sovereign (1536-1547: Henry VIII) Date A point or period of time associated with an event in the lifecycle of the resource 22 November 1544 Language A language of the resource Latin Identifier An unambiguous reference to the resource within a given context <a href="%20 https://catalog.lib.ku.edu/cgi-bin/Pwebrecon.cgi?bbid=2954846" target="_blank">MS J35</a> https://exhibits.lib.ku.edu/files/original/90df63164b43f6a8c020c81eab1bc475.jpg 1e6ffcf9a43ddffeaf81d2dc9063dd14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LibArt 2026 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dreams Subject The topic of the resource LibArt 2026 Creator An entity primarily responsible for making the resource Eric Pabon Date A point or period of time associated with an event in the lifecycle of the resource 2026 Rights Information about rights held in and over the resource held by creator Format The file format, physical medium, or dimensions of the resource Photography https://exhibits.lib.ku.edu/files/original/767a660ceb861fc58977604676bd8034.jpg d652612f7a4556ca02a35867d5b3beb6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LibArt 2026 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource FROM DUST WE CAME AND TO DUST WE SHALL RETURN Subject The topic of the resource LibArt 2026 Creator An entity primarily responsible for making the resource Eric Pabon Date A point or period of time associated with an event in the lifecycle of the resource 2026 Rights Information about rights held in and over the resource held by creator Format The file format, physical medium, or dimensions of the resource Digital print https://exhibits.lib.ku.edu/files/original/5a380c12a4999e1f48aa4a0026dcff00.jpg 6a3388ad2a10c9f29c9f3130aff901ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LibArt 2026 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What Remains of Home Subject The topic of the resource LibArt 2026 Creator An entity primarily responsible for making the resource Eric Pabon Date A point or period of time associated with an event in the lifecycle of the resource 2026 Rights Information about rights held in and over the resource held by creator Format The file format, physical medium, or dimensions of the resource Photography https://exhibits.lib.ku.edu/files/original/4919fa1f738502f31900a00fa8e396bb.jpg 7bee705e8b1e4fadc0ce1b2debca2d55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LibArt 2026 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Burning Desire Subject The topic of the resource LibArt 2026 Creator An entity primarily responsible for making the resource Eric Pabon Date A point or period of time associated with an event in the lifecycle of the resource 2026 Rights Information about rights held in and over the resource held by creator Format The file format, physical medium, or dimensions of the resource Photography https://exhibits.lib.ku.edu/files/original/0476972bfb9072c104b42bc9a74876e4.jpg 25962ed7271a59d403cb669b53ca4dce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LibArt 2023 Subject The topic of the resource 2023 LibArt Exhibition images Description An account of the resource Sudent art submissions to the 2023 LibArt Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Mother's Touch Subject The topic of the resource LibArt 2023 Description An account of the resource My mother and I made an agreement to dye each other's hair. Mine is usually a vibrant color like purple or pink and my mother is a medium blonde and uses it to cover her grey hair. Every time I cover my mother's grey hair with dye, I realize her age and want to hold her tight and never let go. The love my mother and I have for each other is seen in this photograph, my mother's touch and my gaze, trying to capture this moment and save it for later. Creator An entity primarily responsible for making the resource Erin Rockers Date A point or period of time associated with an event in the lifecycle of the resource 2023 Rights Information about rights held in and over the resource Held by creator Format The file format, physical medium, or dimensions of the resource Photography