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                <text>Stack Scrap drawings are a documentation of plastic grocery bag scrap bundles - the byproduct of my personal manufacturing process used to create my coiled basket Smokestack sculptures. The plastic bag scraps take on an organic, almost-floral quality, contrasting the synthetic, non-biodegradable material from which they are made. Handmade paper is similarly made of offcuts and paper waste from my studio. This low-waste studio practice draws attention to the irony of recycling as the “personal responsibility” of individual end consumers, versus the massive scale of pollution and waste caused by global industry.</text>
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                <text>Cassandra Liuzzo&#13;
Graduate Studies in Visual Art </text>
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                <text>Ink on handmade paper&#13;
9" X 12"</text>
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                <text>It's a Sign</text>
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                <text>For many years, I’ve used the cotton-paper pages of my 1963 printing of Interpretation of Dreams by Sigmund Freud as the background for paintings and drawings. When displaying these works, I’ve frequently noticed viewers spending extra time reading the text on the page, presumably in an attempt to make meaning from the words combined with the imagery I created, despite the fact that absolutely no thought goes into the selection of the pages before I use them. As humans we are pattern-seekers. When our life experiences are unexplainable, we look for signs in nature, from stories, bones, tea, Tarot, slips of paper baked into cookies, the alignment of the stars - and, as with Dr. Freud, our dreams. We also use signs to communicate concrete meaning - for example: names, locations, and societal expectations. With their often elaborate silhouettes the shapes of signs contribute to the visual experience and feel of a place. This series, IT’S A SIGN, is at once a documentation of the unique sign shapes, I have found in my small adventures, and a tongue-in-cheek criticism of our human tendency to seek meaning in that which is merely coincidental.</text>
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                <text>Cassandra Liuzzo&#13;
Graduate Studies in Visual Art </text>
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                <text>Acrylic on found paper&#13;
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                <text>We often take for granted the land, vegetation, and living creatures around us. I have always been fascinated by the subtle transitions of color, the intricate patterns on feathers, and the organic shapes from our bird friends. Although sadly, we are losing some of them forever. In November 2024, the Slender-billed Curlew (Numenius tenuirostris), a migratory shorebird that once bred in western Siberia and wintered around the Mediterranean, was declared globally extinct. After finding no evidence of the slender-billed curlew in three decades, scientists have declared it extinct. The last confirmed sighting occurred in Morocco in 1995. I printed a Slender-billed Curlew made up of other bird friends we have lost in recent years, including the Kauaʻi Nukupuʻu, Kauaʻi ʻŌʻō, Bachman's Warbler, and Bridled White-eye, in the hope of remembering them. All the color layers were printed with watercolor—those vibrant colors, other than the key, will gradually fade over time. Just as preserving the art, our bird friends might lose their beautiful colors if not given enough care.</text>
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                <text>Lujiang Li&#13;
Graduate Studies in Visual Art</text>
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                <text>Acrylic and watercolor on paper&#13;
13.5"X 17"</text>
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                <text>Towering Towards the Blue</text>
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                <text>This mural design concept for the Jayhawk Welcome Center celebrates KU, the student experience, and long-standing traditions through a collage of iconography that represents KU and the idea of "towering towards the blue." Iconography "towers toward the blue" by interacting with the sky in various ways. Examples of this includes a volleyball player reaching up to hit a volleyball; the KU flag waving in the sky; graduation caps being thrown into the air; newspaper being thrown up during a basketball game tradition; a student reaching up for a book; a dog reaching up for a TPE student; etc. Thus, the design captures multiple aspects of KU, from sports, to academics, to traditions, to KU symbols, and more. This mural concept is for a room that is used by KU Student Ambassadors, so the goal is to both honor the student experience and excite future students visiting the Jayhawk Welcome Center.</text>
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                <text>Bella Lejuerrne&#13;
Illustration &amp; Animation major</text>
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                <text>Digital Collage&#13;
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                <text>The Sun</text>
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                <text>This illustration represents joy through a symbol, and what better symbol of joy than our sun! I wanted to exude joy through this illustration through the use of color, cut paper layering, and quilling.</text>
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                <text>Bella Lejuerrne&#13;
Illustration &amp; Animation major</text>
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                <text>Cut paper &amp; Gouache&#13;
8" X 10"</text>
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                <text>Enchanted</text>
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                <text>This illustration was inspired by the movie “Enchanted,” a film I enjoyed immensely when I was little! Reflecting back on this childhood love of movies and Disney, I aimed to play with cut paper, color, and layering to create a bright and joyous illustration.</text>
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                <text>Bella Lejuerrne&#13;
Illustration &amp; Animation major</text>
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8" X 11"</text>
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                <text>This piece depicts joy narratively, like telling a story: two siblings enjoy spending Christmas together despite living in a dark, shabby little house. This conveys an aspect of joy I find powerful, which is living in and appreciating every moment.</text>
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Illustration &amp; Animation major</text>
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            <description>A name given to the resource</description>
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                <text>Seeping In</text>
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                <text>LibArt 2025</text>
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                <text>This piece focuses on the grieving process. The use of of charcoal and watercolor creates a blurs of the boundaries between a woman and her surroundings, symbolizing the way grief seeps into every aspect of our being. Grief can be a time for introspection, and this is a testament to the beauty found in raw emotion and the quiet strength that emerges in moments of deep contemplation.</text>
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                <text>Meredith Kucera&#13;
Health Science major</text>
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                <text>2025</text>
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                <text>Watercolor, charcoal, graphite on paper&#13;
14" X 11"</text>
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                <text>LibArt 2025</text>
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                <text>One of many painting on a series of the stages of grief, this piece shows the anger one might feel during the grieving process of losing a loved one. Grief is a complex process that not only accounts for sadness and depression but also anger and rage. Hands harshly grab a face in shock to signify how suffocating these emotions feel to the subject.</text>
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                <text>Meredith Kucera&#13;
Health Science major</text>
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                <text>2025</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Belong to Creator</text>
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                <text>Oil on Masonite panel&#13;
8" X 23"</text>
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                <text>During this uncertain political time, one might feel as though the world around them is unknown or falling apart. This piece explores changing times and the multidimensional harm it can do to divide, symbolized by the layers of tattered images. From your surroundings to your own relationship with yourself, polarizing times effect many aspects of life.</text>
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                <text>Meredith Kucera&#13;
Health Science major</text>
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20" X 18"</text>
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