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                <text>While wandering around Germany one early summer morning, I came across this particularly interesting fountain statue. Even more amazing, I was surprised to find a rainbow. I tried to involve the interesting 3 vivid figures as well as the rainbow in my work with this photo. This place seemed to be a paradise where the main characters played with the rainbow. modern buildings in the background paled in comparison. Discover the beauty of life. Beauty is all around us. I thank the people I love, mlkz.</text>
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                <text>This was a street in Madrid at noon. The street looked lonely. The city looked lonely. It was so hot outside that people either stayed at home or went to other cooler places. A person with a bright red bag gave the whole picture a bit of a different color. Loneliness is beautiful, and so is vibrancy.</text>
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                <text>This is the Liberty Bridge in Budapest in the early evening. I had heard of The Blue Danube, and I had thought the Danube was blue. But when I personally saw it, I found out that most of the time it is green or gray. But sometimes it is blue, like in the evening when there is a late sunset.</text>
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                <text>Daoyou Feng (aged 44, 11 Jan 1977, Guangdong, China - 16 March 2021, Atlanta, USA)</text>
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                <text>Daoyou Feng was the last victim from the Atlanta Shooting on the evening of Tuesday March 16, 2021 to get identified. While we can see the shooter's face, his bad day, his "sex addiction," and how he was always a good boy everywhere on the internet, the only impression she left to the world was "she was from China," and "she was quiet and kind." This is not fair to me. I hope people hear about her life, her caring for her family, and how hard she had to work to live independently in the U.S. here as an immigrant who didn't speak much English. She should not be invisible. Her life was meaningful. According to the only two clear photos I can find online, I carved her portrait onto a sheet of affordable plexiglass. Then printed it with flowers with roots. Specifically in China, people say “fallen leaves return to their roots.” Her pass away and ash cannot return home made her a person without root. I disagree with that. She actually carried her roots with her at wherever she was standing.</text>
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                <text>During the pandemic, a friend of my family passed away. As an immigrant from Southern China, he came to the US to work laboriously, aiming to provide a better life for his family back home. After many years of hard working, he decided to retire and reunite with them. However, the pandemic halted his plans. Stuck in the US, he continued construction work doing home building/renovating for new immigrants, as flights were not affordable. He got hit by heavy building materials at work but didn't take it seriously or seek help due to language barriers. He passed away alone, his story untold. As an immigrant myself, I created his portrait hoping to share his story with a wider audience. He didn’t speak much English, take the subway to commute, or venture into the city. Yet, he was a proud, hardworking New Yorker, an integral part of the Queens community.</text>
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                <text>Reflections of Absence</text>
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                <text>In this painting, I explore the lingering presence of loss and the enduring memories that resonate within empty spaces. This piece serves as a visual meditation on grief, capturing the echoes of a past relationship through a scene frozen in time. The central figure, seated at the piano, embodies a sense of solitude and contemplation, surrounded by objects that once held significance. The portrait on the wall acts as a reminder of the person who is now absent. Through muted tones and delicate brushwork, I seek to convey the bittersweet nature of remembrance, as fleeting moments of joy intertwine with waves of sorrow. Each element within the composition speaks to the complexities of loss, from the wilted flowers to the vacant chair, inviting viewers to reflect on their own experiences of longing and nostalgia.</text>
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                <text>Meredith Kucera</text>
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                <text>Oil on Canvas</text>
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                <text>In this piece, I address the depths of despair experienced during the depression stage of grief. Through the solitary tear streaming down the subject's face, I capture the overwhelming sense of sadness and emptiness that can consume individuals during loss. The somber color palette and subdued tones reflect the heaviness of heart and soul, as the figure grapples with the weight of their emotions. The downcast gaze and downturned lips convey a sense of resignation and hopelessness, as the individual navigates the dark and isolating terrain of depression. Through this painting, I aim to create a portrayal of the internal struggles faced by those experiencing grief-induced depression. By giving visual form to these complex emotions, I hope to foster empathy and understanding, while also offering a sense of solace and validation to those who may be grappling with similar feelings of desolation.</text>
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                <text>In this piece I delve into the emotion of bargaining within the context of grief. The figure depicted with bowed head and clasped hands reflects the internal negotiation and pleading that often accompany the bargaining stage of grieving. The tightly interlocked fingers symbolize a desperate attempt to regain control or make sense of the loss, as if bargaining with fate itself. The downturned gaze and furrowed brow convey a sense of deep contemplation and introspection, as the individual grapples with unanswered questions and unfulfilled wishes. Through subtle nuances of expression and composition, I aim to evoke the complexity of emotions inherent in the bargaining stage, from moments of hopeful optimism to overwhelming feelings of vulnerability and uncertainty.</text>
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                <text>Meredith Kucera</text>
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                <text>2024</text>
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                <text>Held by creator</text>
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                <text>Oil on wood board</text>
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                <text>Screams of Anger</text>
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                <text>This piece depicts the “anger” stage in the grieving process. The raw, unfiltered portrayal of the mouth, with its strained muscles, captures the internal struggle of grappling with overwhelming emotions. The absence of words emphasizes the inability to articulate the depth of pain and anger felt during the grieving journey. Through this painting, I confront the anger stage of grief head-on, acknowledging its presence and significance in the healing process. By giving visual form to these turbulent emotions, I seek to create a space for viewers to confront and explore their own experiences of anger and loss.</text>
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                <text>Meredith Kucera</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Masonite board</text>
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                <text>In the Hands of Grief</text>
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                <text>LibArt 2024</text>
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                <text>In this piece, I wanted to capture the dark emotions of someone going through a grieving period in their life. The depiction of the woman shows her hooded in dark colors and hands reach out, grabbing at her. This symbolizes the feelings of depression, anger, and loneliness that people fall into as they are grieving the loss of a loved one. The use of a darker palette with small accents of reds and yellows represents the fading happiness of grieving individuals as they succumb to feelings of isolation. The purpose of the painting was to have a piece of art that people could relate to as they go through the painful and long process of grieving a loved one.</text>
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                <text>Meredith Kucera</text>
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                <text>2024</text>
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                <text>Held by creator</text>
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                <text>Oil on Masonite board</text>
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