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Collage cover for a fiction zine by Brendan Williams-Childs (self)

Love and Death. Everywhere in the world, Russian ballet = Russian soul. On the eve of World War I Petrograd's avant-garde artistic community revolted against the stuffy, rigid conservatism of the Imperial Academy of Fine Arts in what one person…

Crimes of Conscience. London: Heinemann, 1991.

The House Gun. New York: Farrar, Straus & Giroux, 1998.

Some Monday for Sure. London: Heinemann, 1952.

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