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Emerging from behind a blue curtain, a plastic pheasant sits, adorned with flowers, as if the viewer is looking onto a performance from backstage.

An experiment with abstraction, organic, red and orange shapes flow around the jagged pieces of a bottle and a cow skull. A branch encloses the piece.

The roots sink deep and intertwine with our bones.

The feeling of fear.

My love was a cannibal and I let them devour me.

A work dedicated to the likeness of Poppy, destroyer of worlds.

This work is a deep reflection into the silly specimen that is me, the Ella.

This work is of the powerful presence that is Mozzie, the elder being that sits in a human chair with her family during dinnertime.

This work is a pastel study as well as overall celebration of the being that is Chewy, my sweet baby girl.

Shot on a Holga 120 film camera, this photograph was accidentally double exposed on the edges of the film. This photograph frames two separate instances of the Campanile being photographed. The top section of the photograph showing the view a family…