A seven-act play set in Tanzania at the time of the war with Uganda, which dramatically impoverished the country. The plot centers on a Tanzanian family attempting to deal with the reduced circumstances of life caused by the shortage of many…
Written with many features taken from the oral tradition, this play is about the attempts of women to heave the “mother- pillar,” which symbolizes peace and prosperity for women. Their attempts fail due to lack of unity and tenacity.
This work consists of correspondence written by Shaaban Robert to his half-brother, Yusuf Ulenge. The letters were collected and published posthumously, over forty years after Robert’s death. As stated in the note of the KU catalog record, the…
This work addresses my Arab identity reconstructed in my fathers image. His work shoes that he labors in, are tied down on a block of cement with rebar, a material I use to represent my (or our) Arab identity. Inspired by repeating moments in my…
Based on a photograph from my childhood, this painting depicts my grandmother, myself, and my older brother. I am interested in figures with their backs turned to the viewer, which is one of the reasons I chose to paint this photograph. The ambiguity…
This painting depicts a representation of my younger self, reinvented in the image of father. The inspiration for this painting came from a photograph of my father standing barefoot on top of the roof of his first house here in the U.S. Hence I…
In this print, a reversal of roles is seen between the hanging feet and the the clothes piled up on the ground. Here I am thinking of feet as vessels in in of themselves, not just part of a vessel, our body. The purpose of feet for those who…